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Tuesday, November 26, 2024  
23 Jumada Al-Awwal 1446  

‘Blue Sun Palace’: A portrait of Chinese Immigrants takes center stage at Cannes

Through her tight framing, Tsang emphasizes the invisible labor
Wu Ke-Xi (left) and Xu Haipeng in ‘Blue Sun Palace’
picture taken via The Hollywood Reporters
Wu Ke-Xi (left) and Xu Haipeng in ‘Blue Sun Palace’ picture taken via The Hollywood Reporters

The highly anticipated film ‘Blue Sun Palace’ made its debut at the Cannes Film Festival, garnering attention as a hidden gem of the event. Directed by Constance Tsang, the movie delves into the lives of Chinese immigrants residing in Flushing, Queens, as it follows the struggles of two women working in a massage parlor.

Unlike traditional portrayals of New York City’s skyline and bustling Chinese communities, Tsang takes a unique approach by framing her subjects in intimate settings such as stairwells and hallways. This deliberate choice creates a sense of confinement, symbolizing the characters’ proximity to freedom, which always seems just out of reach.

The narrative revolves around Amy and Didi, who harbor dreams of a better life but find themselves constrained by the inward-looking nature of the Chinese immigrant community. Tsang, drawing from her own experiences growing up in Flushing and real-life stories shared by the Asian community, explores the insular and tight-knit dynamics that shape their lives.

Through her tight framing, Tsang emphasizes the invisible labor—both physical and emotional—performed by Amy, Didi, and countless other immigrants like them. The film serves as a poignant reminder of the challenges faced by individuals in these professions, particularly in the wake of real-time tragedies such as the COVID-19 pandemic, the Atlanta spa shootings, and the rise of Asian hate crimes.

Tsang’s inspiration for ‘Blue Sun Palace’ stemmed from her personal connection to the subject matter. Having witnessed her mother managing commercial properties, including massage parlors, Tsang was deeply affected by the overlooked labor and the stories of trafficked women she encountered during her research. Her collaboration with anti-human trafficking consultants shed light on the hardships faced by these women, many of whom were unaware of their exploitation.

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Beyond portraying the struggles, Tsang hopes to convey the humanity, complexities, and the rich inner lives of her characters. She wants audiences to recognize that there is more to these individuals than their circumstances—there are families, loneliness, beauty, and joy that exist beneath the surface.

As ‘Blue Sun Palace’ makes its mark at the Cannes Film Festival, it captivates viewers with its honest and thought-provoking depiction of the Chinese immigrant experience in New York City. The film sheds light on the untold stories and challenges faced by those who strive for a better life while navigating a community built on resilience and cultural ties.

The Cannes premiere of ‘Blue Sun Palace’ marks the beginning of what promises to be a remarkable journey for director Constance Tsang and her powerful exploration of the human spirit in the face of adversity.

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Cannes Film Festival

Queens

NYC skyline

chinese communities