While less globally famous than the main Competition ‌section, winning or even being selected for Un Certain Regard is a meaningful career boost.

Past selections have included work by Sofia Coppola, Hirokazu Kore-eda, and Cristian Mungiu - the latter ​two have films in this year’s competition line-up.

Wollner used her acceptance ​speech to call for protecting unique personal stories in the ⁠time of artificial intelligence, which she said produces “the same of the same” ​to avoid risks.

“I honestly would like to hold on to those quirky, ​weird thoughts that maybe don’t make sense in the beginning, but hopefully stay with you maybe a little longer,” she said.

“Everytime,” Wollner’s third feature, is “an exceptionally well-calibrated ​study of an untimely death and its aftermath,” wrote entertainment outlet ScreenDaily ​in its review.

“Elephants in The Fog,” the festival’s first Nepali film and director Abinash ‌Bikram ⁠Shah’s first feature, took the second-place jury prize.

He summoned the whole team behind the exploration of Nepal’s transgender community up on stage to celebrate, with festival director Thierry Fremaux having to usher them off to continue.

The ​animated French film “Iron ​Boy” took home ⁠the special jury prize, while Marina De Tavira, Daniela Marin Navarro and Mariangel Villegas shared the best actress ​prize for the Costa Rica-set “Forever Your Maternal Animal.”

Bradley Fiomona ​Dembeasset ⁠won best actor for “Congo Boy,” a drama about a teenager in the Central African Republic who dreams of a music career amid a civil war.

The ⁠opening ​film for this year’s section was Jane ​Schoenbruen’s exploration of sexuality and horror with actor Gillian Anderson in “Teenage Sex and Death at Camp ​Miasma.”