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    <title>Aaj TV English News - World</title>
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    <pubDate>Tue, 07 Apr 2026 14:56:27 +0500</pubDate>
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      <title>A French court artist stares into the eyes of an Islamic State militant
</title>
      <link>https://english.aaj.tv/news/30268186/</link>
      <description>&lt;p&gt;By Michaela Cabrera&lt;/p&gt;

&lt;p&gt;&lt;strong&gt;PARIS: French court artist Elisabeth de Pourquery stared intently into the eyes of the self-avowed Islamic State militant and fixed an image she would capture for posterity.&lt;/strong&gt;&lt;/p&gt;

&lt;p&gt;Separated by a glass screen, she sat just a few feet from Salah Abdeslam, suspected of being the lone surviving member of a commando of suicide bombers and gunmen who killed 130 people in a series of coordinated attacks on Paris in November, 2015.&lt;/p&gt;

&lt;p&gt;"What's important is his aura and his eyes, those deep, round eyes," de Pourquery told Reuters in her studio.&lt;/p&gt;

&lt;p&gt;"You have this gaze that is very deep, and very intense, which clearly shows a lot of fear. And that's what you need to recreate with the paintbrush."&lt;/p&gt;

&lt;p&gt;When Abdeslam removed his black mask during the first day of the trial and defiantly declared himself to be a soldier of Islamic State, de Pourquery made rapid strokes with her watercolour brush.&lt;/p&gt;

&lt;p&gt;Close enough to see the slightest expression etched on Abdeslam's face, de Pourquery described the calculated demeanour of the 31-year-old who expressed no remorse for the violence that November night six years earlier.&lt;/p&gt;

&lt;p&gt;"You could hear the tone of his voice. It was reasoned, thought through," de Pourquery continued. "And it was bordering on icy."&lt;/p&gt;

&lt;p&gt;Now three weeks into the trial, the artist and the defendant were each becoming accustomed to the presence of the other, with the French-Moroccan nodding at her at the start of each hearing, she said.&lt;/p&gt;

&lt;p&gt;De Pourquery said she had sketched 150 trials, including that of the Islamic militants who attacked the satirical magazine Charlie Hebdo in early 2015.&lt;/p&gt;

&lt;p&gt;The court sessions can last up to 10 hours each day, during which de Pourquery will sketch as many as seven drawings for TV news bulletins.&lt;/p&gt;

&lt;p&gt;It can be gruelling, emotional work, hunched in the same position for hours, focused on the emerging sketch but wary of missing a brief moment that defines the day's hearing.&lt;/p&gt;

&lt;p&gt;"It's good to switch off and paint something else, a pretty watercolour, the sea, the beach, something that has nothing to do with the trial," she said.&lt;/p&gt;
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      <content:encoded xmlns="http://purl.org/rss/1.0/modules/content/"><![CDATA[<p>By Michaela Cabrera</p>

<p><strong>PARIS: French court artist Elisabeth de Pourquery stared intently into the eyes of the self-avowed Islamic State militant and fixed an image she would capture for posterity.</strong></p>

<p>Separated by a glass screen, she sat just a few feet from Salah Abdeslam, suspected of being the lone surviving member of a commando of suicide bombers and gunmen who killed 130 people in a series of coordinated attacks on Paris in November, 2015.</p>

<p>"What's important is his aura and his eyes, those deep, round eyes," de Pourquery told Reuters in her studio.</p>

<p>"You have this gaze that is very deep, and very intense, which clearly shows a lot of fear. And that's what you need to recreate with the paintbrush."</p>

<p>When Abdeslam removed his black mask during the first day of the trial and defiantly declared himself to be a soldier of Islamic State, de Pourquery made rapid strokes with her watercolour brush.</p>

<p>Close enough to see the slightest expression etched on Abdeslam's face, de Pourquery described the calculated demeanour of the 31-year-old who expressed no remorse for the violence that November night six years earlier.</p>

<p>"You could hear the tone of his voice. It was reasoned, thought through," de Pourquery continued. "And it was bordering on icy."</p>

<p>Now three weeks into the trial, the artist and the defendant were each becoming accustomed to the presence of the other, with the French-Moroccan nodding at her at the start of each hearing, she said.</p>

<p>De Pourquery said she had sketched 150 trials, including that of the Islamic militants who attacked the satirical magazine Charlie Hebdo in early 2015.</p>

<p>The court sessions can last up to 10 hours each day, during which de Pourquery will sketch as many as seven drawings for TV news bulletins.</p>

<p>It can be gruelling, emotional work, hunched in the same position for hours, focused on the emerging sketch but wary of missing a brief moment that defines the day's hearing.</p>

<p>"It's good to switch off and paint something else, a pretty watercolour, the sea, the beach, something that has nothing to do with the trial," she said.</p>
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      <category>World</category>
      <guid>https://english.aaj.tv/news/30268186</guid>
      <pubDate>Thu, 30 Sep 2021 16:12:31 +0500</pubDate>
      <author>none@none.com (Reuters)</author>
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